
W H O W A S A. E. B A C K U S ?
Albert Ernest Backus (1906–1990) was a celebrated American landscape painter best known for his luminous depictions of Florida’s natural environment. Born in Fort Pierce, Florida, Backus spent virtually his entire life painting the tropical wetlands, coastal scenes, palmetto flats, and dramatic cloudscapes of his home state. His work is distinguished by its radiant light, saturated color, and a sensitivity to the subtleties of Florida’s shifting atmosphere.
EARLY LIFE (1906–1920s)
Albert Ernest “Beanie” Backus was born on January 3, 1906, in Fort Pierce, Florida, a small coastal town that would remain his lifelong home and the central inspiration for his art. Raised by his mother, Clara Backus, after his father died when he was young, Backus showed early signs of artistic interest. His childhood was spent surrounded by the subtropical landscapes of the Indian River region—limestone beaches, mangrove swamps, sprawling skies—which later became essential motifs in his work.
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Though largely self-taught, Backus did take a brief period of formal instruction during his teenage years. He studied at the Parsons School of Design (then the New York School of Applied Art) for a short time but soon returned to Fort Pierce, preferring the freedom of direct observation and experimentation.
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EARLY CAREER (1930s–1940s)
In the 1930s, Backus began taking painting more seriously as a profession. He initially supported himself through commercial sign painting and various small commissions. Meanwhile, he developed a personal style influenced by the American Impressionists, as well as by the plein-air tradition that emphasized painting outdoors to capture natural light.
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During World War II, Backus served in the U.S. Navy, stationed primarily in Trinidad. Even there he continued painting, producing tropical scenes that broadened his palette and confidence. After the war, his career accelerated.
Returning to Fort Pierce, Backus opened a studio that quickly became a gathering place for artists, musicians, students, travelers, and local characters. His warm, humorous personality made him a beloved community figure. By the late 1940s and into the 1950s, his paintings were widely exhibited, and he developed a strong following among collectors who admired his ability to portray Florida as both vibrant and serene.
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MENTORSHIP (1950s–1970s)
Perhaps Backus’s most culturally significant contribution was his role as a mentor. In the racially segregated South of the 1950s, Backus welcomed and encouraged Black artists—something far from common at the time.
Among those he helped was Alfred Hair, a talented young painter who learned from Backus’s techniques and studio environment. Hair became the leading figure of what would later be called the Florida Highwaymen—a group of African American landscape painters who sold their vivid Florida scenes door-to-door and out of car trunks, bypassing segregated galleries.
Backus’s influence on the group was substantial:
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He encouraged their distinctive, fast-paced, improvised painting style.
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He provided guidance in mastering skies, clouds, sunsets, and reflections.
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He offered space, materials, and advice without prejudice.
Although the Highwaymen developed their own energetic, stylized approach, Backus’s atmospheric handling of light became a foundation for their work.​
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A​RTISTIC MATURITY (1960s–1980s)
By the 1960s, Backus had refined his signature style:
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Radiant, diffused lighting, often depicting dawn or dusk
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Realistic yet poetic compositions capturing a sense of place
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Meticulous handling of clouds and sky, based on direct observation
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Emphasis on atmosphere, giving even simple landscapes emotional depth
He traveled throughout Florida and the Caribbean, painting scenes of the Bahamas, Jamaica, and the Virgin Islands, though he always returned to Fort Pierce as his home base.
His later works often incorporated a softness and peace that many interpret as reflective of his own maturing worldview.
Late Life and Passing (1990)
Backus continued painting well into his eighties, receiving visitors in his studio and participating in local arts events. He passed away on June 6, 1990, at the age of 84.
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PERSONAL LIFE
Backus was known for his generosity, humor, and easygoing spirit. He loved storytelling, music, and entertaining. His studio was not just a workplace but a cultural hub where people of all walks of life felt welcome.
Despite his success, Backus never married, though he had many close friendships. His openhearted nature, fondness for lively conversation, and willingness to mentor made him a beloved figure in Fort Pierce.
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LEGACY
A. E. Backus remains one of Florida’s most important artists. His legacy includes:
1. Preservation of Florida’s Vanishing Landscapes
Much of what Backus painted—untouched wetlands, wild rivers, pristine coastal vistas—has since been altered by development. His paintings now serve as historical records of a Florida that scarcely exists today.
2. Influence on the Highwaymen
His mentorship helped launch one of the most remarkable artistic movements in Florida history. The Highwaymen went on to gain national recognition and were inducted into the Florida Artists Hall of Fame.
3. The A. E. Backus Museum & Gallery
Located in Fort Pierce, the museum preserves his work, studio traditions, and archives, and serves as a cultural center for the region.
4. Lasting Artistic Impact
Collectors and institutions continue to seek his work for its craftsmanship and its luminous, romantic portrayal of the American tropics.

